Possibly the best thing.
I think the initial reaction was a whole lot of “WTF” because it came out of nowhere. My job enables me to spend a lot of time dicking around on the internet, A LOT OF TIME, but I hadn’t heard any rumblings or rumors or anything until the press release was, uh, released.
After the dust settled and we realized it wasn’t an Onion article, my Twitter feed was filled with a lot of cynicism and worry about the acquisition and what that could mean for many people’s favorite franchise.
I must ask; will it be worse than what Lucas himself has been doing with it? The constant adjustments to the movies? The deciding what is and isn’t canon at whim? The Kinect dancing game?
Jar-Jar goddamn Binks?
We’ve seen the bottom, children.
As in all things, there is a lot of stuff that can go wrong, however; if we all take a step back and look at this with clear eyes and our hearts free of the knee-jerk Nerd Rage that so easily can envelope us, that maybe, just maybe, we’ll realize Disney’s acquisition of LucasFilm is a good thing.
“I’m from the future. Go to China.”
note: I tried very hard to stay spoiler-free, but it’s hard to do that with a movie like this
Speaking from experience, both personal and via the hundreds of pieces of media I’ve consumed, there comes a very special time in a young man’s life when he tells an older, wiser, and more versed person to go to Hell.
It doesn’t matter what this person says, knows, or has lived, the young man is sure that whatever that person is telling him isn’t true.
“You don’t know.”
“What happened to you won’t happen to me.”
“It does not matter. It will not, ever, happen to me like it happened to you.”
These young men are wrong, of course. Most of the time it’s chalked up to universal truths that must leave their mark. These are lessons that can’t be taught; they must be felt. These are the mistakes that are made when youthful exuberance meets ignorance.
And there is no force on Earth, not even time travel, not even a future version of you who has literally made every choice you want to, telling you, to your face, that there is a better way.
This is one of the two major thematic elements of Looper, and this narrative thread is begun with a fantastic scene, glimpsed for a few seconds in the trailer, of Bruce Willis and Joseph Gordon-Levitt having a sit down to discuss just what is going on; what is going to happen, and what the other guy plans to do about it. Read the rest of this entry
Holy hell, how long’s it been since I posted something on here? Like, eight years? Man, that is a lot of years.
What follows is a review of Dredd
It’s a long one, because I am a terrible, terrible, terrible editor.
TL;DR Rating – I loved it.
Read the rest of this entry
What the fuck is this fucking shit? Avengers crushes the record for opening weekend gross? They took the record that I earned with my blood, sweat, and cinematic seminal fluids from me?
You come at me, Michael Bliz-ow Bli-zay, the one summer I take off to gather my strength to make a comedy and prep for Transformers 4: a World without Shia, and you think I wouldn’t notice?
You think you’re the fucking king of summer, Avengers? You think Bliggity Bay get soft?
Now you want to run around, talking about breakdancing robots tearing each other arms off, like I ain’t got none? You think I sold them all, just because I’m well off?
Think you can talk that shit like it won’t get back to me? Like I’m not everywhere?
Motherfuckers think you can forget about Bay?
War, it is.
Read the rest of this entry
Today marks the beginning of my people’s most sacred month, ACTION MOVIE MAY.
As we begin our journey into the hottest, most action packed months of the year, this summer seems especially jam-packed with testosterone injected mayhem, I’m going to walk you through the explosions and car chases to get to the very best in visceral entertainment.
Here it is, ready to help kick off the summer movie season, the Impossible Thing. The Movie That Should Not Exist. Forget Lord of the Rings. Forget Watchmen. Forget Dune. Forget every movie that was or is “impossible” to film, this is the one movie that should not have been able to be put together. Read the rest of this entry
Sorry for this taking so long. The original draft clocked in at 4,000 words and was all over the place. It to0k me a while to figure out what to chop out and force everything into a dubious coherence.
Last post I talked about how I think the ending was a subconscious desire by Bioware to be seen as more than just a silly sci-fi game and try to speak to a broader, more humanizing theme.
What follows is going to be spoiler-free, and largely Mass Effect 3 free in terms of specifics in characters, gameplay, plot, etc. It’s more of a launching pad for the point I’m trying to make.
Please join me after the jump where I try to make an argument for videogames being not only art, but a whole new form of it.
What follows is less about the actual nuts and bolts of the ending regarding any sort of closure inside the Mass Effect Universe, or of the supposed insidious business practices of EA , but more about why the ending was used.
I will do my best to keep it spoiler-lite for Shepards still fighting the good fight, and less intensive for those of you who don’t care about Mass Effect, but I can make no promises.